Showing posts with label indie rock. Show all posts
Showing posts with label indie rock. Show all posts

Monday, September 3, 2012

Hedgehog - Sun Fun Gun (2012)




The newest album from these Beijing Noise-Poppers.


Download Here

Wednesday, October 26, 2011

My Dad is Dead - The Taller You Are, The Shorter You Get

My Dad Is Dead, was a recording project of musician Mark Edwards. The project began in Cleveland, Ohio in 1985. My Dad Is Dead has released eleven full-length albums on labels such as St. Valentine's, Scat Records, Homestead Records and Emperor Jones.


Sunday, January 30, 2011

The Feelies - Live at CBGB 1977



New Jersey indie/jangle/post-punk heroes, The Feelies will be back in April 2011 with a new album after almost 20 years. Here is the first single that was released a couple of days ago:



So just for a taste of what The Feelies were like some 30 odd years ago, here's a live album that kicks some major ass. One of my favourites is the raw version of "Original Love".




Also, Happy Year of the Rabbit everyone!!!!!!



Saturday, March 13, 2010

Boys Climbing Ropes - Except For The Darkness [2010]


Born three years ago from a medley of rum and cigarette induced visions in one of the last remaining authentic taverns in Ottawa, Canada. Boys Climbing Ropes is a testament to the delight and folly of international displacement. The conjuring of a wily vigour that understands no ends, stumbling along a thin line separating magic from down-right drunkenness. Their psych-folk punk infusion sounds like a distorted depressed escapee flying along a highway at dusk in a big rusted white pickup truck with a flat rear tire. After sweating through their first half year as a band in China, Boys Climbing Ropes had a run in with the enigmatic Xiao Punk. A vagabond and self-published poet from Jianxi province, Xiao Punk joined the cavalcade on vocals, thus adding herself into the mix with the three Canadian foreign nationals: Devin Gallery (drums), Morgan Short (bass/keyboards) and Jordan Small (guitar/vocals). All four musicians have been involved in various other musical projects, from high school orchestral units to full-scale shit-rock bands in big Asian cities. Notable influences include Ted Leo and the Pharmacists, Neil Young with Crazy Horse, Leonard Cohen and of course Bruce Springsteen. Entering their second year in the Shanghai music scene, Boys Climbing Ropes still entertains premonitions of becoming an unfastened release of music. One that continues week after week filled with the fervour of an early-communistic work ethic. In an attempt to promote the medium of local underground music and subterranean affairs Boys Climbing Ropes tirelessly entertains hopes of a future for Shanghai rock, built upon every irreplaceable live show. Because this year is all about moving units.

Myspace
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Wednesday, February 10, 2010

Sugar - Copper Blue [1992]


Sugar was formed by Bob Mould after the breakup of Hüsker Dü, and conceived as having a similar sound, though with Mould as the sole leader. As such, the band was a trio with Mould on guitar and voice, David Barbe (formerly of Mercyland) on bass, and Malcolm Travis (formerly with zulus and Human Sexual Response) on drums. The band released three studio albums and a collection of live tracks and B-sides before breaking up in 1995.



Myspace

Download(Link Updated)

Thursday, February 4, 2010

Several Girls Galore- Fumble For Your Hands EP

"I recorded this EP from December '09 to January '10 at home. All these songs were written recently, within the past five months or so, and a couple of them were still works in progress (as in: had no lyrics or vocal melody ideas) when I began recording them. It all came together quickly, though, and here we are.

Once again, you can download this album for free or you can choose your price. Either method is much appreciated.
Enjoy!"

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Wednesday, December 23, 2009

Small Black - Small Black EP [2009]



Small Black is an emerging band from Brooklyn, New York. They describe their music on their myspace as “Acousmatic / Tape music / Concrete / Pop.”


Myspace


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Monday, December 14, 2009

Human Television - Look At Who You Are Talking To


A quick glance at Human Televisions press photos might give you the idea that these Florida transplants are here to provide a dose of the unpretentious, substance-over-style rock music thats been missing for a few years now, or at least has been overshadowed by fashion-conscious revivalists of once forgotten genres. The band forgoes tight-fitting suits and asymmetrical haircuts in favor of a more laid back look: ragged jeans, hooded sweatshirts, and genuinely as opposed to stylishly messed up hair. Its a look that says, I know whats really important, and as some will recognize, its just as easily linked to early-90s American indie rock as all those suits and synths are to 80s New Wave. That link is even more evident once you spend some time with their debut full-length, Look At Who You’re Talking To.

The most immediately striking component of Human Televisions sound is the guitar. Its perpetually jangly and deliciously upbeat, calling to mind all those underrated Teen Beat and Sarah Records bands who stood at the forefront of what some considered a Golden Age for our lovably nerdy counterculture. The production style is understated and really, barely noticeable; everything’s crisp and relatively clear, but refreshingly free of any sterilizing sheen. The subject matter covered by frontman Billy Downing boredom, failed relationships, etc.


Myspace
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Sunday, December 6, 2009

24 Hours - No Party People (Maybe Mars, 2009)


Beijing-based Post-Punk/Garage and Rock’N’Roll band originally from Xi’an .



24 Hours was formed in Fall of 2006 in Xi’an and relocated to Beijing in the end of 2008. Their debut record, produced by Martin Atkins (Pigface, Nine Inch Nails), is scheduled for a fall release on Maybe Mars Records.

From Xi’an, the members of “24hourpartypeople” are typical youth from 1980’s. They like catchy tunes, carefree melodies, punchy rhythms and whimsical pop style. Combining garage, disco, and post-punk, they’ve impressed audiences with their distinctive style and charming performances. Taking their name from Manchester’s Happy Mondays (and the film), this band knows their Brit-pop influences!


Myspace


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Tuesday, August 11, 2009

Sebadoh - The Sebadoh [Sub Pop, 1999]



Sebadoh is an indie rock band formed in Westfield, Massachusetts by Eric Gaffney and Dinosaur Jr bass player Lou Barlow. Along with such bands as Pavement and Guided by Voices, Sebadoh helped pioneer lo-fi music, a style of indie rock characterized by low-fidelity recording techniques, often on four-track machines. The band's early output, such as 1990's Weed Forestin' and 1991's Sebadoh III, was typical of this style, and wavered between Barlow's wry, introspective folk and Gaffney's psychedelic noise-rock experiments.









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Yo La Tengo - Popular Songs [2009]






Listen to it.



Monday, August 10, 2009

Ogre You Asshole - Ogre You Asshole [2005]


Ogre You Asshole is a Japanese Post-Punk/Indie Rock band. They take their influences from Modest Mouse, Built To Spill, Fugazi, Gang of Four, Talking Heads, Pinback & Television.
Thanks to Mr. Milnik for the recommendation. :)

Sunday, June 28, 2009

Carsick Cars - You Can Listen, You Can Talk [Maybe Mars, 2009]

The newest album by China's biggest underground act.


Have fun.



Download




PS. I have been a bit busy lately. Will post more stuff very soon. Stay tuned.

Thursday, April 23, 2009

Silkworm - Firewater [1996]

It's a difficult thing to have too many cooks in the kitchen, especially when all of them are iron chefs. Joel Phelps' semi-forced exit made a big difference. On one hand, it was bad: Phelps was an integral part of the band since its inception. And on the other, it was good: the pared-down sound fit the band well, and that's quite evident on the four-sided Firewater. Left to two voices, the band produces its most cohesive and precise set, despite it being their most broad; Firewater clocks in with 16 tracks at an hour long. Not a minute is wasted, and everything sounds more measured and relaxed. Lyrically, the themes of each song tie in with a couple concepts in mind, not suffering from the somewhat schizo topics of previous LPs. As the lone guitarist, Cohen spreads his wings, turning in some lengthy solos. At times, his scorchy leads seem twice as loud as the bass and drums, but it's called for each time. Midgett's thick bass becomes more of a centerpiece than an anchor, sounding its thickest yet. Stripped bare to the degree of sounding awkward on the first few listens, a couple songs rely mainly on light rhythms and little else. The record's themes of alienation and inebriation are balanced by spells of dark humor. Cohen is always reliable for the occasional zinger, and Midgett's woes-of-the-road "Miracle Mile" provides many yuks at the band's expense. Also, the occasional cathartic yelping and complex structures seem to be done away with, in favor of more classic influences (the Stones-y "Lure of Beauty") and decreasing tangential incidents. Though one hates to say it in the wake of Phelps, Firewater sounds like a band that's just lost its training wheels -- fuller yet less cluttered. - All Music


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