Q And Not U- No Kill No Beep Beep [2000]

Quirk-ass posturing matched with infectious D.C. backbeat and overly catchy singsong/shoutfests comes together as one of the best aggressive indie pop albums to see the light of day in many years. Q & Not U offer a take on the classic D.C. sound by bending its rules a bit, making things more infectious and fun to listen to than the Dischord world is used to. Their minor melodies and to-the-throat rhythmic drive, matched with an aesthetic sense that offers no cliché, offer more replay value than many of this band's peers, such as the other 2000-era Dischord addition, Faraquet. Shows are know to turn to dance parties in quite a hurry. Buy this for the enjoyment of technical spazz pop that few can produce with such tact. -Blake Butler

No Kill No Beep Beep [2000]

P.S. Ian MacKaye of Minor Threat and Fugazi produced the album.

Line In The Sand

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Big Black- Songs About Fucking

Child molestation, urban decay, hopeless apathy, trucking, and racial commentary were all fair game to Big Black, and the screeching, clanking thud of their proto-industrial sound was only a shade less disturbing than their subject matter. Dave Riley's bass is a metallic, twisted train wreck, and Steve Albini's every word so bile-drenched it barely makes it past his lips. This, combined with the searing buzzsaw guitars and the violent percussive force of a jackhammer, will strip the enamel straight off your goddamn teeth. Their pervasive stench clings to the entirety of the burgeoning industrial movement, and Songs About Fucking is the still the biggest, baddest sound on the block; underestimate it at your own peril. --Eric Carr
Source: Pitchfork.com

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